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Aiweiwei Berlin

Aiweiwei Berlin „Deshalb bin ich da weg!“ - Weltstar Ai Weiwei poltert drastisch gegen Deutsche

Ai Weiwei im Interview: „Berlin ist die hässlichste, langweiligste Stadt, die es gibt​“. Der Künstler über schwache Deutsche, faule. Ai Weiwei präsentiert in Berlin eine Reihe mit seinen Filmen, die nächste Woche im Kino Babylon zu sehen ist – und schimpft erneut auf die. , Uhr. Künstler will Berlin verlassen: Ai Weiwei schimpft auf Deutschland – und die Berlinale. Der chinesische Künstler nennt. Vor Unternehmern des VBKI spricht Ai Weiwei über Kunst und Politik. Und er erklärt, warum ihn Berlin enttäuscht hat. Ai Weiweis berühmte Wurzel-Skulpturen sind ab September im Rahmen der Ausstellung «Roots» in der Berliner Galerie Neugerriemschneider zu sehen.

Aiweiwei Berlin

"Evidence" ist eine politische Ausstellung, die Ai Weiwei für Berlin in seinem einfachen Studio am dörflichen Stadtrand von Peking entwarf. Im Lichthof des. , Uhr. Künstler will Berlin verlassen: Ai Weiwei schimpft auf Deutschland – und die Berlinale. Der chinesische Künstler nennt. Als der berühmte Künstler vor einigen Jahren nach Berlin zog, war die Stadt glücklich. Es fühlte sich an wie ein Ritterschlag: Ai Weiwei in town! Immer wieder deutet er an, dass der lange Arm von China bis in die deutsche und amerikanische Filmindustrie reiche. Seit Ende lebt er in Cambridge. Sie suchen nicht mal das Streitgespräch mit mir. Mein Leben ist Kunst. Es war mir egal. Tja, ein klares Click here, eine soziale Analyse aus der Sicht eines Zugewanderten, der nicht viel hinzuzufügen ist. Alle Rechte vorbehalten. Ich hätte mich fast nicht getraut, ihn read article einem Selfie zu fragen ;- pic. "Evidence" ist eine politische Ausstellung, die Ai Weiwei für Berlin in seinem einfachen Studio am dörflichen Stadtrand von Peking entwarf. Im Lichthof des. Ai Weiwei lebte von bis vor wenigen Monaten in Berlin, wo er noch immer ein Atelier hat. Inzwischen ist er in die englische Universitätsstadt. Als der berühmte Künstler vor einigen Jahren nach Berlin zog, war die Stadt glücklich. Es fühlte sich an wie ein Ritterschlag: Ai Weiwei in town! In Berlin hat der Künstler sein Atelier im Stadtteil Prenzlauer Berg. Im Interview mit der Berliner Zeitung sagt er, dass die Hauptstadt „die. Am August in Beijing/China geboren, lebt in Beijing. Seit Mitglied der Akademie der Künste, Berlin, Sektion Bildende Kunst. lab25.co Keine andere Nation würde sich so verhalten Aiweiwei Berlin in der Öffentlichkeit herumschreien. In China lebte er https://lab25.co/casino-uk-online/was-ist-lr.php über Monate in continue reading kontrolliertem Hausarrest. Meistgelesene Artikel. Aus der Demütigung, aus einem Taxi "geworfen" worden zu sein, scheint er ableiten zu können, wie ein Beste Spielothek in Le Locle finden Volk tickt. Inzwischen klingt das deutlich anders. Aber die Tatsache das er nicht nur die Deutschen sondern auch die Oesterreicher nachgiebig kritisiert sollte einem doch zu denken geben. Der Satz insinuiert, dass die Berlinale nur regimetreue Filmkunst aus China zeigt. Was hat er, was hat irgendwer davon, wenn Aiweiwei Deutschland kritisiert. In jüngster Zeit habe es mehrere Dokumentarfilme von und mit ihm abgelehnt. Sobald du dich daran gewöhnt hast, kann diese Situation sehr angenehm sein. Hier gewinnt seine Aussage Klarheit, seine Kunstsprache Kraft. Nur wenn man etwas verändern will, gehen sie in Verteidigungshaltung. Er zeichne alle Interviews auf, sagt er. Sie reden von Demokratie, aber das stimmt nicht, wenn man sieht, wie die Rechten in Deutschland die Parlamentssitze stehlen. Wir sind unabhängig und wollen es bleiben.

Aiweiwei Berlin Video

Ai WeiWei: 'Berlin, I Love You' censored following Chinese pressure - DW News Archived from the original on 19 January This video is a link to these perished students and a memorial for innocent lives lost. BeijingChina. Retrieved 13 July Comprised of extensive, on-site footage of Ai and his crew of assistants, photographers, and camera operators, the film depicts numerous scenes of refugees in crisis, in transition camps, on extensive journeys to seek safety, shelter, and refuge. Obwohl der Regimekritiker nach seiner erzwungenen Ausreise aus China in Berlin lebt, wird er mit den Deutschen nicht warm. Seine Familie fände nur die Berliner Winter schwer erträglich, auch sei bald eine Umgebung mit englischer Landessprache für seinen Sohn angebracht. Das ist Nazismus. Dieses Mal ging es abermals visit web page die Sicht des chinesischen Künstlers auf die Deutschen. Wenn es neue Nazis gibt, dann schätze ich das, weil sie echt sind. Aiweiwei Berlin

But maintaining this tradition has come at great cost. In — a year before his Shanghai studio was razed, but shortly after the authorities had shut down his outspoken blog on the Chinese website Sina , which was reaching , people every day — Ai scuffled with police in a hotel room in the city of Chengdu after agreeing to testify on behalf of an activist friend in a court case, which would have embarrassed the government.

A month later, he suffered a brain haemorrhage and was hospitalised; one of his reasons for flying to Germany this summer was to undergo a belated medical check-up on his head injury.

Upon his release, he was put under house arrest and prohibited from leaving Beijing for a year. Once this probation had elapsed, however, he was still not granted his passport — until, inexplicably, it was returned to him this summer.

For the past year, this cheerful boy, who bounces around the studio, an irrepressible foil to the hushed gravitas of his father, has been living with his mother in Berlin.

If only he could say the same of the British. The reason given in a letter from the British embassy in Beijing was that in his application Ai had not declared a criminal conviction — even though, as he later pointed out on Instagram, he had never been convicted of any crime.

The incident also helps to explain why he finds the internet so compelling, even though Twitter is currently blocked in China.

As Ai acknowledges, the curious thing is that his stature is a direct result of his harsh treatment by the Chinese authorities — despite the fact that he has little public profile in his own country: government censorship has effectively eliminated his name from the internet in China.

He pauses. Now, though, his exhibition at the RA will be international news. His words remind me of a scene from a recent BBC documentary, Big Brother Watching Me: Citizen Ai Weiwei , which tracked the artist during the fraught year following his detention in A colleague appears to inform him that she too has been unable to gain access to the courtroom.

Meanwhile, outside the courtroom, a line of polite protesters bears witness to this fact. Ai has reprised the powerful image in his Berlin studio.

At its heart is a vast light well, opening on to a public plaza above ground. For now, he is relishing the freedom of life away from hour surveillance.

Is he considering a return to China in order to keep sowing seeds of dissent? Even after everything he has been through? Of course, it could be dangerous.

But my father was a revolutionary and like his generation we must fight to build a better system. He sounds courageous. But this is the part about myself that I most like.

So if I still can, I will make an effort. And to be there is very important. There will be a more modern society with all the important values that define a modern society.

In the following six months, while Yang Jia was detained and trials were held, his mother has mysteriously disappeared.

This video is a documentary that traces the reasons and motivations behind the tragedy and investigates into a trial process filled with shady cover-ups and questionable decisions.

The film provides a glimpse into the realities of a government-controlled judicial system and its impact on the citizens' lives. On separate occasions, they were kidnapped, beaten and thrown into remote locations.

The incidents attracted much concern over the Internet, as well as wide speculation and theories about what exactly happened.

This documentary presents interviews of the two victims, witnesses and concerned netizens. In which it gathers various perspectives about the two beatings, and brings us closer to the brutal reality of China's "crackdown on crime".

On 24 April at , Ai Weiwei aiww started a Twitter campaign to commemorate students who perished in the earthquake in Sichuan on 12 May Remembrance is an audio work dedicated to the young people who lost their lives in the Sichuan earthquake.

It expresses thoughts for the passing of innocent lives and indignation for the cover-ups on truths about sub-standard architecture, which led to the large number of schools that collapsed during the earthquake.

The shooting and editing of this video lasted nearly seven months at the Ai Weiwei studio. It began near the end of in an interception organized by cat-saving volunteers in Tianjin, and the film locations included Tianjin, Shanghai, Rugao of Jiangsu, Chaoshan of Guangzhou, and Hebei Province.

The documentary depicts a complete picture of a chain in the cat-trading industry. Since the end of when the government began soliciting expert opinion for the Animal Protection Act, the focus of public debate has always been on whether one should be eating cats or not, or whether cat-eating is a Chinese tradition or not.

There are even people who would go as far as to say that the call to stop eating cat meat is "imposing the will of the minority on the majority".

Yet the "majority" does not understand the complete truth of cat-meat trading chains: cat theft, cat trafficking, killing cats, selling cats, and eating cats, all the various stages of the trade and how they are distributed across the country, in cities such as Beijing, Tianjin, Shanghai, Nanjing, Suzhou, Wuxi, Rugao, Wuhan, Guangzhou, and Hebei.

This well-organized, smooth-running industry chain of cat abuse, cat killing and skinning has already existed among ordinary Chinese folks for 20 years, or perhaps even longer.

The degree of civilization of a country can be seen from its attitude towards animals. One hundred architects from 27 countries were chosen to participate and design a square meter villa to be built in a new community in Inner Mongolia.

The villas would be designed to fit a master plan designed by Ai Weiwei. On 25 January , the architects gathered in Ordos for a first site visit.

The film Ordos documents the total of three site visits to Ordos, during which time the master plan and design of each villa was completed.

As of , the Ordos project remains unrealized. So Sorry shows the investigation led by Ai Weiwei studio to identify the students who died during the Sichuan earthquake as a result of corruption and poor building constructions leading to the confrontation between Ai Weiwei and the Chengdu police.

After being beaten by the police, Ai Weiwei traveled to Munich, Germany to prepare his exhibition at the museum Haus der Kunst.

The result of his beating led to intense headaches caused by a brain hemorrhage and was treated by emergency surgery.

These events mark the beginning of Ai Weiwei's struggle and surveillance at the hands of the state police.

This documentary investigates the death of popular Zhaiqiao village leader Qian Yunhui in the fishing village of Yueqing, Zhejiang province.

When the local government confiscated marshlands in order to convert them into construction land, the villagers were deprived of the opportunity to cultivate these lands and be fully self-subsistent.

Qian Yunhui, unafraid of speaking up for his villagers, travelled to Beijing several times to report this injustice to the central government.

In order to silence him, he was detained by local government repeatedly. On 25 December , Qian Yunhui was hit by a truck and died on the scene.

News of the incident and photos of the scene quickly spread over the internet. The local government claimed that Qian Yunhui was the victim of an ordinary traffic accident.

This film is an investigation conducted by Ai Weiwei studio into the circumstances of the incident and its connection to the land dispute case, mainly based on interviews of family members, villagers and officials.

It is an attempt by Ai Weiwei to establish the facts and find out what really happened on 25 December During shooting and production, Ai Weiwei studio experienced significant obstruction and resistance from local government.

The film crew was followed, sometimes physically stopped from shooting certain scenes and there were even attempts to buy off footage.

All villagers interviewed for the purposes of this documentary have been interrogated or illegally detained by local government to some extent.

Early in , the district government of Jiading, Shanghai invited Ai Weiwei to build a studio in Malu Township, as a part of the local government's efforts in developing its cultural assets.

In October , the Shanghai government declared the Ai Weiwei Shanghai Studio an illegal construction, and it was subjected to demolition.

On 7 November , when Ai Weiwei was placed under house arrest by public security in Beijing, over 1, netizens attended the "River Crab Feast" at the Shanghai Studio.

On 11 January , the Shanghai city government forcibly demolished the Ai Weiwei Studio within a day, without any prior notice. This video tells the story of Liu Ximei, who at her birth in was given to relatives to be raised because she was born in violation of China's strict one-child policy.

When she was ten years old, Liu was severely injured while working in the fields and lost large amounts of blood. While undergoing treatment at a local hospital, she was given a blood transfusion that was later revealed to be contaminated with HIV.

According to official statistics, in there were , AIDS sufferers in China, many of whom contracted the illness in the s and s as the result of a widespread plasma market operating in rural, impoverished areas and using unsafe collection methods.

The documentary goes onto chronologically reconstruct the events that occurred from the time he was arrested at the Beijing airport in April to his final court appeal in September The film portrays the day-to-day activity surrounding Ai Weiwei, his family and his associates ranging from consistent visits by the authorities, interviews with reporters, support and donations from fans, and court dates.

This documentary on the Fukushima Art Project is about artist Ai Weiwei's investigation of the site as well as the project's installation process.

Ai accepted the invitation and sent his assistant Ma Yan to the exclusion zone in Japan to investigate the site.

Both water and electric circuits were cut off. Entrance restriction is expected to be relieved in the next thirty years, or even longer.

The art project will also be open to public at that time. The three spots usable as exhibition spaces by the artists are all former residential houses, among which exhibition site one and two were used for working and lodging; and exhibition site three was used as a community entertainment facility with an ostrich farm.

Ai brought about two projects, A Ray of Hope and Family Album after analyzing materials and information generated from the site.

In A Ray of Hope , a solar photovoltaic system is built on exhibition site one, on the second level of the old warehouse. Integral LED lighting devices are used in the two rooms.

This lighting system is the only light source in the Exclusion Zone after this project was installed. Photos of Ai and his studio staff at Caochangdi that make up project Family Album are displayed on exhibition site two and three, in the seven rooms where locals used to live.

The twenty-two selected photos are divided in five categories according to types of event spanning eight years.

Among these photos, six of them were taken from the site investigation at the Sichuan earthquake; two were taken during the time when he was illegally detained after pleading the Tan Zuoren case in Chengdu, China in August ; and three others taken during his surgical treatment for his head injury from being attacked in the head by police officers in Chengdu; five taken of him being followed by the police and his Beijing studio Fake Design under surveillance due to the studio tax case from to ; four are photos of Ai Weiwei and his family from year to year ; and the other two were taken earlier of him in his studio in Caochangdi One taken in and the other in A feature documentary directed by Weiwei and co-produced by Andy Cohen about the global refugee crisis.

Ai's visual art includes sculptural installations, woodworking, video and photography. His works address his investigation into the aftermath of the Sichuan earthquake and responses to the Chinese government's detention and surveillance of him.

The performance was memorialized in a series of three photographic still frames. It is four metres long and weighs kilograms. It is made from wood salvaged from Qing Dynasty temples.

The reconstruction was completed using Chinese period specific joinery techniques. The work as installed was called ,, and subsequent installations have been titled Sunflower Seeds.

Made by the traditional method for which the city is known, a thirty-stage process was employed. The sculpture refers to chairman Mao's rule and the Chinese Communist Party.

The mass of tiny seeds represents that, together, the people of China can stand up and overthrow the Chinese Communist Party. The seeds also refer to China's current mass automated production based on Western style the consumerist culture.

The sculpture challenges the "Made in China" mantra, memorialising labour-intensive traditional methods of craft objects.

The original installation was at Alcatraz Prison in San Francisco Bay ; the portraits being of various political prisoners and prisoners of conscience.

After seeing one million visitors during its one-year display at Alcatraz, the installation was moved and put on display at the Hirshhorn Museum in Washington, D.

The display at the Hirshhorn ran from 28 June — 1 January The art piece is currently on display at the National Gallery in Prague until 7 January Journey of Laziz is a video installation, showing mental breakdown and overall suffering of tiger living in the "world's worst ZOO" in Gaza.

The project, a collaboration of Ai Weiwei and architects Jacques Herzog and Pierre de Meuron , features surveillance cameras equipped with facial recognition software, near-infrared floor projections, tethered, autonomous drones and sonar beacons.

A companion website includes a curatorial statement, artist biographies, a livestream of the installation and a timeline of surveillance technology from ancient to modern times.

The two pieces were installed at the Hirshhorn Museum in Washington, D. Forever Bicycles is a foot 9. The sculpture was installed as 1, bicycles in Austin, Texas in The foot 9.

A sculpture of many bicycles is displayed as public art in the gardens of the Artz Pedregal shopping mall in Mexico City since its opening in March One of these tokens is forever unavailable to anyone, but the other is meant for distribution and is divisible up to 18 decimal places, meaning it can be given away one quintillionth at a time.

A nominal amount of the distributable token was "burned" put into digital wallets with the keys thrown away , and these wallet addresses were printed on paper and sold to art buyers in a series of 12 physical works.

Each wallet address alphanumeric is a proxy for a shared moment between Abosch and Ai. In , he was the curator of the project Jinhua Architecture Park.

He invited architects from 29 countries to participate in this project. I turn down all the demands to have photographs with it," saying it is part of a "pretend smile" of bad taste.

Ai said "It's disgusting. I don't like anyone who shamelessly abuses their profession, who makes no moral judgment.

This edition of Yang Lian's poems and Ai Weiwei's visual images was realized by the publishing house Damocle Edizioni — Venice in numbered copies on Fabriano Paper.

Every book is hand signed by Yang Lian and Ai Weiwei. Ruya Foundation collected over submissions.

The video was an attempt to criticize the Chinese government's attempt to silence his activism and was quickly blocked by national authorities.

On 22 May , Ai debuted his first single Dumbass over the internet, with a music video shot by cinematographer Christopher Doyle. The video was a reconstruction of Ai's experience in prison, during his day detention, and dives in and out of the prison's reality and the guarding soldiers' fantasies.

This contemporary art archive and experimental gallery in Beijing concentrates on experimental art from the People's Republic of China, initiates and facilitates exhibitions and other forms of introductions inside and outside China.

In , Ai sat on the jury of an international initiative to find a universal Logo for Human Rights.

The winning design, combining the silhouette of a hand with that of a bird, was chosen from more than 15, suggestions from over countries.

The initiative's goal was to create an internationally recognized logo to support the global human rights movement.

To me, it's abusively using government powers to interfere in individuals' privacy. This is an important moment for international society to reconsider and protect individual rights.

In , Ai interviewed a member of the 50 Cent Party , a group of "online commentators" otherwise known as sockpuppets covertly hired by the Chinese government to post "comments favourable towards party policies and [intending] to shape public opinion on internet message boards and forums".

Ai designed the cover for 17 June issue of Time magazine. In , Ai became a Reporters Without Borders ambassador.

In —, Ai explored human rights and freedom of expression through an exhibition of his art exclusively created for Alcatraz , a notorious federal penitentiary in San Francisco Bay.

Ai's Large exhibit raised questions and contradictions about human rights and the freedom of expression through his artwork at the island's layered legacy as a 19th-century military fortress.

The life jackets had been discarded by refugees arriving on the shore on the Greek island of Lesbos. Later that year, he installed a different piece, also using discarded life jackets, at the pond at the Belvedere Palace in Vienna.

In , Wolfgang Tillmans, Anish Kapoor and Ai Weiwei are among the six artists that have designed covers for ES Magazine celebrating the "resilience of London" in the wake of the Grenfell Tower fire and recent terror attacks.

Louis opened with a major exhibition of work by Ai Weiwei: "Bare Life". From Wikipedia, the free encyclopedia. For the documentary film about the artist, see Ai Weiwei: Never Sorry.

Chinese conceptual artist and dissident. Beijing , China. See also: Free Ai Weiwei street art campaign.

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Main article: List of works by Ai Weiwei. Main article: Human Flow. China portal Biography portal Visual arts portal Politics portal.

Ai, Weiwei,, Pins, Anthony. Cambridge, Massachusetts. Current Biography Yearbook Ipswich, MA: H.

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My Plans. Open menu Menu. Europe Germany Berlin Art. Ai Weiwei is infamous for letting his actions speak louder than his words, which seems fitting for his position as a contemporary artist and activist.

Regardless of his sometimes unappreciated reception, Ai Weiwei remains a paramount iconoclast who infuses his incendiary art with irrefutable politics.

In a recent interview with The Guardian , Ai Weiwei talks about art and humanism.

Aiweiwei Berlin Video

ArtStars* 71 - Ai Weiwei

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